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After FUSO 2024, the video art platform VIDEO WINDOW presents at the festival in Lisbon another programme dedicated to Brazilian video art, ambiguously entitled Destiny Brazil, with one film each by Aline Motta, Camila Freitas and Janaina Wagner. The programme provides through the three works a fragmentary insight into life realities in Brazil, from Rio de Janeiro deep into the Amazon which are related to the country's colonial past. At the same time, it offers a comparison of different positions of mid-career female artists, distinguished by their unique voices and recognised both nationally and internationally.
FUSO 2026, 18th edition, 25–29 August 2026 (link)
Programme introduction E (pdf) / Introducão P (pdf)
Screening location, VIDEO WINDOW programme: Museu da Marioneta (link)
Synopses of the three videos in E (pdf) / Synopses in P (pdf)
Short biographies of the three artists in E (pdf) / Biografias in P (pdf)
Websites: Aline Motta, Camila Freitas, Janaina Wagner (links)

Aline Motta
(Outros) Fundamentos / (Other) Foundations, 2019
Video HD, single-channel, colour, sound, P/Yoruba/Tofin-Gbé/e, 16 min., 16:9
The artist embarks on a journey to Lagos in Nigeria and initiates a self-reflection about her roots and belonging, which oscillates between Africa and Brazil.

Camila Freitas
Aparição / Apparition, 2024
Video HD, single/two-channel, colour & b/w, sound, P/e, 20 min., 16:9
Camila Freitas offers an intimate insight into the spiritual practices of Umbanda experienced by her grandmother.

Janaina Wagner
Curupira e a Máquina do Destino / Curupira and the Machine of the Destiny, 2021
Video HD, single-channel, colour & b/w, sound, P/e, 24 min., 16:9
The work takes the viewers to the middle of the Amazon on the legendary Trans-Amazonian Highway and leads them on the road to an imaginary encounter with Curupira, a mythological figure who protects the forest against external power.
Two screenings:
Friday, 22 May 2026, 19:30, incl. Q&A in the presence of Nicole Bachmann & Johanna Kotlaris
Wednesday, 27 May 2026, 21:15
Under the title Moving Water, Bodies & Souls, VIDEO WINDOW presents a programme featuring a new work each by Swiss artists Nicole Bachmann and Johanna Kotlaris: There are Tides in the Body and Humere. The two distinct works comprise a collage-like composition of short scenes by three performers exploring the theme of migration, followed by a mythological epic about a fictional zombie-heroine presented as a musical film. Common to both videos is the metaphorical presence of the fluid element of water.
Videoex Festival, 22–31 May 2026 (G/E) (link) / Programme booklet Videoex 2026 (G) (pdf)
Introduction, synopses & CVs (pdf)
Websites: Nicole Bachmann / Johanna Kotlaris (links)

Video HD, colour, sound, E/g, single-channel, 17:50 min., 16:9

Video HD, colour, sound, E/e, single-channel, 56 min., 16:9
VIDEO WINDOW is making its first appearance at Art Space Juraplatz in Biel/Bienne and presents one work by video artist Bettina Grossenbacher (Basel) in the outside and one in the inside area, both with metaphorical references to the location. The distinctive building was once a tram and bus stop, a bustling meeting place with a kiosk, telephone booth and urinal. It is a testament to 1930s modernist architecture in Biel/Bienne and now a listed building.
The two visually striking and atmospheric videos have a mysterious feel, sparking associations and firing our imagination. They tell stories, pose essential questions and linger in the mind thanks to their poetic nature. The artist invites us to continue the works in our imagination and create our own films in our minds.
Outside area

Bettina Grossenbacher, 16º12’N / 22º51’W, 2011 (video still)
Video HD, colour, sound, e, 1-channel, 9:10 min., 16:9
Inside area

Bettina Grossenbacher, The Other, 2017/2019 (video still)
Video 4K, colour, sound, 1-channel, 13:43 min., 21:9
Three photographs complement the presentation of the video The Other. They were taken on the film set and convey impressions of the Making of.
Making of, 2017, solvent print, blueback poster paper, 100 × 56 cm
Bettina Grossenbacher
*1960 in Thun, lives and works in Basel.
After her education as a textile designer and actress, and working for eight years as a stage actress and theatre educator, Bettina Grossenbacher graduated from the School of Design in Basel in 1995, where she studied audiovisual design. Since then, she has worked as an artist in the fields of video, film, photography, installation and performance. She is one of the outstanding video artists of her generation in Switzerland.
Accompanying text for the exhibition incl. synopses / Texte accompagnant l’exposition, synopsis inclus
Article: Bieler Tagblatt, 06.03.2026 (pdf)
Websites: Bettina Grossenbacher & Art Space Juraplatz
Art Space Juraplatz: Juraplatz, 2502 Biel/Bienne
VIDEO WINDOW is making its first appearance at the nationally renowned Off-space lokal-int in Biel/Bienne, showing INVISIBLE (2022) by the well-known video artist Peter Aerschmann from Bern. Following its presentation at the Musée d'art et d'histoire in Neuchâtel in 2022, the work shines out onto the street as a room-filling installation, inviting passers-by to pause and to take a look.
The opening will be attended by Peter Aerschmann and Bruno Z'Graggen, curator of VIDEO WINDOW.

Peter Aerschmann, INVISIBLE, 2022 (video still)
Video HD, b/w, no sound, 1-channel, 10 min., loop, 16:9
Peter Aerschmann
*1969 in Fribourg, lives and works in Bern.
Since graduating in 1999 from the Bern Academy of the Arts, Peter Aerschmann has been working as an artist in the fields of video, photography and interactive systems. He began pioneering the use of digital technology during the transition from the analogue to the digital age. He composes his works on the computer and presents them in exhibitions on a wide variety of monitors or as room installations using beamer projections. Today, Peter Aerschmann is one of Switzerland's most prominent media artists.
More information / plus d'informations
Websites: Peter Aerschmann & lokal-int
lokal-int: Hans-Hugi-Strasse 3, 2502 Biel/Bienne

(RR, film still)
Ricardo Rangel was one of the most important photographers in sub-Saharan Africa at the time. At almost the end of 2025, the year of celebrations marking 50 years of independence for Portugal's former colonies in Africa, the film event honors and reflects Ricardo Rangel's life work which started under the Portuguese domination to be continued after independence was achieved in 1975 within Mozambique's socialist state building. How do we look and consider on Rangel's legacy today and his impact on photography in Mozambique? What is its importance?
The screening follows a conversation with: Bruno Z'Graggen, Alexandre Pomar, art critic and journalist (Lisbon), and Sérgio Santimano, photographer (Mozambique). Both were interviewed in the film.
A cooperation between Atelier Concorde, the collective art- and workspace in Lisbon and Bruno Z'Graggen, freelance curator based in Zurich, who is currently a guest at Atelier Concorde.
Information
- Location: Atelier Concorde, Rua Leite Vasconcelos 43A, 1170-198 Lisboa
- 18:00: Door opening
- 18.30: Screening (56 min.) and conversation (30 min.)
- Contact:
- Websites: https://www.atelierconcorde.org and https://brunozgraggen.ch
- Background of the film
Two screenings:
VIDEO WINDOW is pleased to present a block of four works by Basel composer and video artist Jannik Giger. The four videos Mixtape (2019), Sunday Lovers (2016), Blind Audition (2022) and Lamento (2024) show his genuine interest in the magic of sound and explore with virtuosity the interaction between the acoustic and visual levels. At the centre are questions about media transformation and staging mechanisms, hierarchies and interactions between the actors, physical and spatial experiences and the interfaces between high and popular culture.
Videoex Festival, 16–25 May 2025 (G/E) / Booklet Videoex Festival 2025 (G/E)
Introduction & CV / Programme / Synopses / Website Jannik Giger

Mixtape, 2019 (Maria Callas)
Video HD, colour, sound, single-channel, 8:35 min., 16:9

Sunday Lovers, 2016
Video HD, colour, sound, single-channel, 12 min., 16:9

Blind Audition, 2022
Video 2K, colour, sound, single-channel, 21:50 min., 16:9

Lamento, 2024
Video 2K, colour, sound, single-channel, 17:30 min., 4:3

Georgette Maag, Smoke on the Water, 2025 (video still)
The well-known Zurich artist Georgette Maag (*1955 Zurich), who works with video, installation, photography, performance and drawing, is presenting her new 2-channel video installation entitled Smoke on the Water in Eglisau. This originated from a one-month residency in Bogliasco near Genoa in 2023 at the Bogliasco Centre of the renowned American Bogliasco Foundation. The work is accompanied by other videos, video sculptures and photographs, most of them are recent works. The exhibition closes with the artist's talk between the artist and Bruno Z'Graggen, curator of VIDEO WINDOW.

(Image: Muda Mathis & Sus Zwick, Vague Elements Workshop, 2023; design: Iza Hren)
VIDEO WINDOW presents, in cooperation with the legendary studio community VIA, nine well-known artistic positions from Basel and Zurich. During three evening events entitled Video Art in Dialogue, each position shows a recent work for discussion.
The aim of the events is to comparatively debate artistic interests, strategies and forms of expression exemplified by the videos and a workshop-like dialogue between the artists, the curator and the public and to jointly discover the multifaceted nature of video art.
Furthermore, a special issue of the _957 Independent Art Magazine, which has been published by the Lucerne artist Stephan Wittmer since 2012, appears as a publication and programme booklet for the series.
Each evening concludes with the opportunity to continue the discussion and to network over a plate of pasta at the venue.
Curatorship: Bruno Z'Graggen, VIDEO WINDOW
Venue: VIA, Amerbachstrasse 55a, 4057 Basel (link)
Entrance free
Kanton Basel-Stadt Kultur, Stiftung temperatio, Gottfried und Ursula Schäppi-Jecklin Stiftung, Stanley Thomas Johnson Stiftung, Ernst Göhner Stiftung, Stiftung Erna und Curt Burgauer, Casimir Eigensatz Stiftung
Invited by FUSO INSULAR 2024, VIDEO WINDOW presents at the video art festival in the Azores a programme entitled From Rio de Janeiro into Amazonia and beyond with three video works by the internationally renowned Brazilian-Swiss artist duo Dias & Riedweg based in Rio de Janeiro: two older ones, Funk Staden (2007) and The Mirror and the Dusk (2011), followed by the latest one The Reverse of Heaven (Port.: O Avesso do Céu, 2023).
After the Videoex Festival Zurich 2024 and FUSO 2024 Video art festival (16th edition) in Lisbon, the programme will be shown in the Azores for the third time. FUSO INSULAR has existed since 2019 and happens two months after the main festival in Lisbon by showing a selection.
The presentation at FUSO 2024 is supported by: the Swiss Arts Council Pro Helvetia (link)


Funk Staden, 2007
Video HD, colour, sound, P, 13:38 min.

The Mirror and the Dusk, 2011
Video HD, colour, sound, 8:42 min.
Trailer: The Reverse of Heaven, 2023; video 4K, colour, sound, P/Esp/e, 38:00 min.
Invited by FUSO 2024, VIDEO WINDOW presents at the video art festival a programme entitled From Rio de Janeiro into Amazonia and beyond with three video works by the internationally renowned Brazilian-Swiss artist duo Dias & Riedweg based in Rio de Janeiro: two older ones, Funk Staden (2007) and The Mirror and the Dusk (2011), followed by the latest one The Reverse of Heaven (Port.: O Avesso do Céu, 2023). After the Videoex Festival Zurich 2024, the programme will be shown in Lisbon for the second time inclusive Q&A with artists and curator.
The presentation at FUSO 2024 is supported by: the Swiss Arts Council Pro Helvetia (link)

VIDEO WINDOW conducted an interview with the artist on the occasion of Susanne Hofer's solo exhibition as it happens in Baden in the Trudelhaus, based on a dialogue-based tour of the exhibition. Linked to this is a recommendation to visit the wonderful exhibition, which mainly consists of four room-filling installations and follows the leitmotiv as it happens. Susanne Hofer (*1970, Lucerne) is a nationally recognised and multi-award-winning video artist who lives in Zurich. She works with video, photography and objects, often in the form of installations.

Susanne Hofer, as it happens, 2024 (exhibition view © Kaspar Ruoff)

Susanne Hofer, solid ground, 2008/2024 (exhibition view © Kaspar Ruoff)

Susanne Hofer, all tomorrow's parties, 2024 (exhibition view © Kaspar Ruoff)

Susanne Hofer, Wohnmaschine, 2019/2024 (exhibition view © Kaspar Ruoff)

VIDEO WINDOW is pleased to present the new video work The Reverse of Heaven (Port.: O Avesso do Céu, 2023) by the well-known Brazilian-Swiss artist duo Dias & Riedweg as an international premiere in Zurich at the Videoex Festival 2024 after presentations in Brazil.
The essay-like work tells of the neo-colonial exploitation in the Amazon region with political impetus and skilfully interweaves three spheres into a dense and powerful composition: the endangered indigenous culture, the illegal wood industry and the penetrating evangelical missionary work.
The film is preceded by two older videos by the duo: Funk Staden (2007) and The Mirror and the Dusk (2011), which show locations in Rio de Janeiro's favelas, address difficult living environments and clichés.
Videoex Festival, 24 May – 02 June 2024 (G / E)
Introduction & CV / Programme / Synopses / Website Dias & Riedweg

The Reverse of Heaven, 2023
Video 4K, colour, sound, P/Esp/e, 38:00 min.
Trailer

Funk Staden, 2007
Video HD, colour, sound, P, 13:38 min.

The Mirror and the Dusk, 2011
Video HD, colour, sound, 8:42 min.

The Reverse of Heaven, 2023
Video 4K, colour, sound, P/Esp/e, 38:00 min.
Ricardo Rangel was one of the most important photographers in sub-Saharan Africa at the time. The exhibition «Ricardo Rangel: Surrendered to passions» at the gallery of Kulungwana curated by Jorge Dias (Dir. of the Centro Cultural Brasil-Moçambique / Instituto Guimarães Rosa, Maputo) pays tribute to the centenary of the birth of Ricardo Rangel (1924–2009). It provides a unique opportunity to reflect on Rangel's significant contribution to photography and photojournalism in Mozambique. Each image in the exhibition bears witness to the many passions that drove Ricardo Rangel: his passion for freedom, justice, love and humanity.
Bruno Z'Graggen curated in cooperation with the photographer Grant Lee Neuenburg (Maputo) the exhibition «Iluminando Vidas. Fotografia Moçambicana 1950–2001. Ricardo Rangel & the Next Generation» (incl. catalogue), which was shown 2002 at Photoforum PasquArt in Bienne (Switzerland) followed by a presentation 2003 in Maputo at the Galeria de Associação Moçambicana de Fotografia (AMF), both in presence of Ricardo Rangel, and many other venues in Europe and Africa.
The curator Bruno Z'Graggen realized together with the film-maker and producer Angelo Sansone (Zurich) a documentary and homage on Ricardo Rangel entitled «NO FLASH. Homage to Ricardo Rangel». The film had its world premiere on 22 March 2012 in Maputo at the Centro Cultural Franco-Mozambicano (CCFM). «NO FLASH» is shown during the exhibition at Galeria of Kulungwana. Screening venues, 2012–2014
More information:
Galeria da Kulungwana, Maputo: «RICARDO RANGEL: ENTREGUE ÀS PAIXÕES», curated by Jorge Dias, 15.02.–08.03.2024
«NO FLASH. Homage to Ricardo Rangel», by Bruno Z’Graggen & Angelo Sansone (incl. streaming for free)
DVD cover (click to enlarge)

(Image: Una Szeemann, Thrill Me, 2004; Design: Iza Hren)
Trailer
The video art platform VIDEO WINDOW will be staying as a guest in Lucerne, Zurich and Basel in October and November 2023. In cooperation with Kunsthalle Luzern, stattkino Luzern, Kunstraum Walcheturm and Stadtkino Basel, it presents Thrill Me. The Power & Magic of Music in Video Art, an international screening programme with three parts and one video each by 23 well-known positions, twelve from Switzerland and eleven from abroad. The fascinating multifaceted programme sheds light on the fundamental importance of music in video art and shows an exciting arc with works from the 1990s to the present. The screenings take place in the presence of some of the artists, in Lucerne followed by artists' talks.
Kunsthalle Luzern / stattkino Luzern: Bourbaki Panorama. Löwenplatz 11, 6004 Luzern
Moderation Artists' talks: Michael Sutter, head of Kunsthalle Luzern and Bruno Z'Graggen
Reservation:
Admission: CHF 8 / Part
Kunstraum Walcheturm: Kanonengasse 20, 8004 Zurich
Admission: CHF 10 for the entire programme
Stadtkino Basel: Klostergasse 5, 4051 Basel
Admission: CHF 8 / part; CHF 18 for the entire programme
Kunsthalle Luzern, LuzernPlus Kulturförderung, Stadt Zürich Kultur, Kanton Basel-Stadt Kultur, Stadt Thun, Swisslos Kultur Kanton Bern, Jacqueline Spengler Stiftung, Stiftung Temperatio, Stanley Thomas Johnson Stiftung, Markant Stiftung, Gottfried und Ursula Schäppi-Jecklin Stiftung, Dr. Georg und Josi Guggenheim Stiftung, Stiftung Erna und Curt Burgauer, Casimir Eigensatz Stiftung
Trailer
Christoph Oertli, Superposition, 2022
Video HD, single-channel, colour, sound, without dialogue, 22 min., loop, 16:9
VIDEO WINDOW as a guest at Zimmermannhaus Brugg presents Superposition, the new work by the prominent Swiss video artist Christoph Oertli (Basel), as a contribution to the Brugg Documentary Film Festival 2023. Following its première at the Videoex Experimental Film & Video Festival Zurich 2022, this is the first opportunity to see the work exhibited in a contemporary artistic context.
The artist is present at the opening: Thu 14 September 2023, 6–8pm
Opening hours: Fri 15.09. 2:30–8pm, Sat 16.09. 11am–8pm, Sun 17.09. 11am–6pm
Free admission
Introduction
Christoph Oertli (*1962, Winterthur) lives and works in Basel.
Zimmermannhaus Brugg
Brugg Documentary Film Festival 2023, from 14 until 17 September 2023
Programme Booklet (only in German)

Christoph Oertli, Superposition, 2022
Festival Videoex, 25 May – 4 June 2023 (G / E)
In 2023, VIDEO WINDOW shows six works of Swiss artist Doris Schmid. They comprise films from the beginnings of her engagement with video until today, among it one of her main works: Es gibt kein Geheimnis (There is no Secret, 2014). Her works are characterized by a spatial-installative setting, a proximity to experimental film as well as collaborations with musicians and actresses.
Introduction & CV / Programme / Synopses / Website Doris Schmid

Doris Schmid, Surface de l'eau, 2002
Trailer
Doris Schmid, Es gibt kein Geheimnis (There is no Secret), 2014

Doris Schmid, It's all a Dream, 2021
The curator Bruno Z’Graggen joins the artist duo Muda Mathis / Sus Zwick and the video artist Christoph Oertli from Basel to discuss subjects ranging from technological advances in the medium of video to artistic interests and strategies. The event will seek to reflect, clearly and vividly, upon the characteristics of video art while also offering insights into the artistic processes of the guests, whose pioneering influence upon artistic production in Switzerland stretches back over more than 30 years.
More information and introduction
Websites: mathiszwick.ch and christophoertli.ch